As of January, 2019, the Musée du Louvre opens its doors for free to all visitors on the first Saturday night of each month! That’s right – for free – from 6:00pm to 8:45pm.
Louvre to Open First Saturday Night Each Month with Free Admission
Attempting to attract more first-time locals to visit, the Louvre adds the first Saturday of each month to its free admission line up. As the most visited museum in the world, the Louvre has no problem attracting visitors. But, it wants more locals to visit as well.
With this exciting news out of Paris, the Louvre adds more time for locals and visitors from all over the world to visit the Louvre without paying the price of admission. Right now, a full-price admission ticket is 17 euros. For a family of 4, that price could keep away many families working full time jobs and trying to make ends meet. So, to try to get more locals in the doors, it has opened on an additional night. That is good fortune for visitors, too!
In the past, the Louvre opened on the first Sunday of each month with free admission, trying to draw in the locals. But, after reviewing data on visitors coming at that increasingly popular free day, the museum lacked an increase in locals. It appears that more and more international visitors are taking advantage of the 12 free Sundays each year. Who doesn’t want a free entry?
One goal of the Louvre is to engage locals. Saturday night seems like an obvious gateway to reach suburban locals wanting a night out. Louvre officials hope that this additional free time does the job and entices young adults and families from outside Paris proper to take advantage of the world’s most-visited museum. In addition to being free, the museum is hosting a board game area and a reading corner – all trying to lure young families in the door!
Bonus for You!
Of course, for non-local visitors, it is a boon as well. Night visits are an extraordinary way to see the massive royal palace and its dumbfounding treasures. Along with looking out of the windows into the night sky of the city, fewer people visit at night. You may wind up in a gallery with entire rooms to yourself. Admire the art with only your family and friends. Climb the worn marble stairs alone. Wander through the vast space and imagine the kings and queens that were there before you.
Musée du Louvre
Hours: Open Wednesday – Sunday from 9am to 6pm Night opening until 9:45pm on Wednesdays and Fridays Night opening until 8:45pm on FIRST Saturday of the month beginning January 2019 CLOSED TUESDAYS CLOSED: on the following holidays: January 1, May 1, May 8 and December 25. Arrondissement: 1st Nearest Métro: Two stops serve the Louvre. Exiting at Louvre-Rivoli, you will be at the eastern-most end of the Louvre. Exiting at Palais-Royal–Musée du Louvre, you will be closer to the pyramid entrance and very close to the entrance at the Passage de Richelieu (if they will let you in) and the entrance through the Carousel de Louvre – kind of underground shopping area that leads you to the main entrance under the pyramid. Nourishment: Food and drink options available inside the Louvre in various locations – enjoy a baguette sandwich overlooking the entrance while watching the people come down the stairs under the pyramid! Official website: https://www.louvre.fr/en/ Suggested time to visit: In the evenings on the days it is open late
You may also be interested in one of the lesser known museums in Paris, such as Musée Picasso Paris, Musée Marmottan Monet or Musée Rodin. See the article on “15 Lesser-Known Museums in Paris” for more details here.
The year 2018 has been a year-long celebration of the Tricentennial of New Orleans, obviously a French city from its beginning. Through its 300 years, it abounds with history from war, malaria, floods, fires, the birth of the cocktail and much of Mardi Gras.
The Founding of New Orleans
New Orleans was founded in 1718 by Jean-Baptiste Le Moyne de Bienville (photo) of the French Mississippi Company. The outpost at a curve in the river was named for the Philippe II, Duke of Orléans. And, the colony of La Louisiane was named for King Louis XIV when René-Robert Cavelier, Sieur de la Salle claimed all the waters drained by the Mississippi for France in 1682.
Celebrate the Tricentennial of New Orleans
As a fitting end to the Tricentennial celebrations, a final grand costume ball will be held in New Orleans on Saturday, December 1, 2018, at the Cabildo. The invitations specify the attire as “period costume reminiscent of Don Almonester’s era (late 18th century), or the era of the Baroness (early 19th century through 1850s).”
The Cabildo is a fitting venue for the grand costume ball. In its antique rooms, the Louisiana Purchase was finalized and the Louisiana Territory became part of the United States of America in 1803. Out of its windows you can see Jackson Square and the two flanking red brick buildings from the 1840s that were built by the Baroness Pontalba.
If you do not remember much about her, here is a short version of famous Baroness.
Micaela Leonarda Antonia de Almonester Rojas y de la Ronde, Baroness de Pontalba was born in 1795 in New Orleans and died in Paris in 1874. Her father was from Spain, Don Andrés Almonester y Rojas. Don Almonester created a fortune from his political dealings from the Cabildo.
Besides being the richest woman in New Orleans, she probably had one of the most interesting lives of anyone from New Orleans. She designed and constructed the twin buildings. The Baroness wore pants and climbed ladders while overseeing every detail of the work. Even the iron work bears her initials, “AP” for Almonaster Pontalba. The buildings are so important to the United States, they were declared a National Historic Landmark in 1974.
Deep and Long-Lasting Connections
While in New Orleans, the Baroness was also shot repeatedly by her father-in-law before he killed himself. For years, he and her husband had been trying unsuccessfully to wrest control of her fortune from her. She survived the gunshots suffering mangled fingers that blocked the bullets from killing her. Eventually she moved permanently to Paris to a grand house she commissioned.
And, by grand, it is really grand. Baroness Pontabla’s former mansion, the Hôtel de Pontalba, is now the United States Embassy. It is right off the Place de la Concorde on the rue du Faubourg Saint-Honoré. Look for American armed service members patrolling outside. Needless to say, nothing shabby about the Baroness.
If you want to know more about her, read the fascinating and engrossing story of the real Baroness in the late Dr. Christine Vella’s Pulitzer-Prize nominated book, Intimate Enemies. You can find it here on Amazon:
History Comes Alive
Back to the Tricentennial celebration of the French city, New Orleans. Along with the costume ball, you can join in a lunch celebrating the Tricentennial on Friday, November 30, 2018. At the lunch, attendees will have a chance to meet Charles-Edouard and Isabelle, Baron and Baroness de Pontalba of Château Mont-l’Évêque. Charles-Edouard is a direct descendant of Micaela Almonester, Baroness de Pontalba.
Also at the lunch, Pontalba family historian Pierre de Pontalba will talk about his family’s legacy. And, Louisiana State Museum guest exhibition curator, Randolph Delehanty, PhD, will give remarks and be available for questions for the new exhibit, The Baroness de Pontalba and the Rise of Jackson Square.
Planning the Greenspaces of Nineteenth-Century Paris, written by Richard S. Hopkins, is an LSU Press publication exploring the green spaces in Paris. For the avid gardener and garden designer/planner, this could be a great book to learn more about Paris’ parks. Many people may think parks and gardens were created just to look at. But, the government influences more than people’s eyes.
Emperor Napoleon III wanted to make Paris an international capital. And, what an emperor wants, who can deny? Along with his great recreation of Paris, he wanted to include green spaces in each of the city’s sections. So, while Hausmann was tearing down ancient buildings and creating wide boulevards, gardens were being planned and planted all over the city.
Certainly, urban planners in the second half of the 1800s faced similar issues as those of today. First of all, how do we create green areas and their facilities that will attract visitors? Also, how do we serve the people living nearby and be good looking? Like today, building gardens and public gathering areas was a way to build communities and provide identity to the neighborhood.
This detailed book explores the history behind green spaces in Paris. Green spaces were public works projects. Many people were employed to construct and maintain the parks. This maintenance has continued for hundreds of years. So, it seems the parks succeeded at that goal. And, other goals were accomplished too. We, as visitors, are certainly the beneficiaries of this great nineteenth century project!
Praise for Planning the Greenspaces of Nineteenth-Century Paris
“Planning the Greenspaces is a fascinating read and a welcome addition to the scholarship on Paris and on urban greenspaces that could work well as a supplemental text in an upper-division course on Paris or France.”—American Historical Review
“This concise and elegant book reflects rigorous archival research rendered in readable prose. . . . Geographers will appreciate the author’s attention throughout to scale as an analytic tool, and his sustained analysis of the social production of urban space through a dialectic of design and use.”—Journal of Historical Geography
“Richard S. Hopkins’s book Planning the Greenspaces of Nineteenth-Century Paris serves as an important reminder that the development of acres of parks and gardens were also central to the project of creating a modern European capital. . . . [An] insightful and enjoyable text.”—Canadian Journal of History
Read more for yourself in Richard S. Hopkins’ book. He is an assistant professor of history at Widener University. The only part that I would have liked more is to have had illustrations of some of these green spaces. Sadly, there are none.
Planning the Greenspaces of Nineteenth-Century Paris, by Richard S. Hopkins. Order here.
Bastille Day and the World Cup final collide on the weekend of July 14, 2018! On Saturday, France will celebrate Bastille Day. Then on Sunday, France battles Croatia for the World Cup.
What is Bastille Day?
For those of us celebrating Bastille Day, and for those who want to know more about it, here is a short description. Bastille Day, in French “la Fête Nationale ” or “le 14 juillet,” is an annual national public holiday. It celebrates the storming of the Bastille prison on July 14, 1789. Because there were only a few prisoners there at the time, the storming was mostly symbolic. However, this was the start of the overthrow of Louis XVI’s regime and the beginning of the Republic of France. That means it is a big event for all the non-royalists in France.
During the years of the revolution, the prison was completely torn apart and never rebuilt. The site of the Bastille prison is now the Place de la Bastille. At its center is the July Column (“Colonne de Juillet”). Rather than commemorating the storming of the Bastille, this column recognizes those who fought in the revolution of July, 1830.
A little confusing, but taken together, the square and the column honor and remember commoners who fought for freedom from oppression. Atop the July Column is Auguste Dumont’s gilded statue, “Génie de la Liberté,” or Spirit of Freedom. Appropriate, don’t you think? Another place to see and feel some of the intensity of the emotions of the people is in the Louvre. Take a look at Delacroix’s moving painting, “Liberty Leading the People.” Delacroix used the July Revolution for his inspiration.
Bastille Day Celebrations
Arc de Triomphe with Tricolore
Along with the landmarks commemorating the revolutions, Bastille Day is a celebration of freedom. It is much like our Independence Day. In Paris, a gigantic French flag, or “tricolore,” is flown within the grand arch of the Arc de Triomphe. The French military parades down the avenue des Champs- Élysées. Mounted cavalry, foot soldiers, regimental bands and officers in vehicles follow each other in one of the oldest annual military parades. French air force planes will fly overhead. And, people will generally make merry and enjoy the show put on for them.
Like our own July 4 celebrations, Bastille Day in France features fireworks lighting up the night sky, neighborhoods having street parties and families and friends gathering for traditional French meals. On the Champs-de-Mars, a concert will entertain thousands. And across the whole country, the Marseillaise, or the French National Anthem, will play over the radio waves and bands will perform it repeatedly.
As a visitor, the festivities can be a lot of fun. But do not expect many shops, museums or restaurants to be open. This includes the Eiffel Tower which was built as a landmark celebrating the 100th anniversary of the storming of the Bastille. It will be closed in preparation of a grand fireworks display.
Around the World
Many places around the globe celebrate French heritage on Bastille Day. Among other more significant events, restaurants have special dinners and wine-pairings, people fly French flags, and, in New Orleans, waiters participate in races in the French Quarter. All in good fun celebrating Bastille Day!
For the World Cup, we hope there will be even more celebration in the French capital!
What does your community do to celebrate Bastille Day?
Paris is chock-a-block with awe-inspiring churches. Many of the grandest are newer replacements built on ancient Christian sites. But “newer” is a relative term. Like many other buildings in Paris, some of these churches are many hundreds of years old with long and interesting histories.
France is overwhelmingly Roman Catholic – whether in name only, or more. The churches listed here began, and most remain, Roman Catholic. Only those that have been deconsecrated are no longer under the Pope of Rome.
The awe-inspiring churches listed here are in no particular order. Of course you know some, but others are definitely worth the effort to visit. Also, the names of the churches are listed in French. English may seem easier for now, but in Paris, only French will be written on signs, maps and plans of the quarter at Métro exits.
If you plan on visiting the awe-inspiring churches that are still maintained as active Roman Catholic institutions, please be respectful of the religion. Some churches have been known to deny entry to those without long pants or covered shoulders.
So, here they are, 13 awe-inspiring churches in Paris:
1. Cathédrale Notre-Dame de Paris
Cathédrale Notre-Dame de Paris is the most well known of the awe-inspiring churches in Paris. It is amazing to behold and it is an incredibly beautiful feat of engineering. The plaza out in front provides plenty of space to admire this marvelous creation.
Inside is a working Medieval masterpiece. Mass is said regularly. Step inside for a view to the Middle Ages. Smell the incense, hear the homily (over loudspeakers now) and enjoy the soft light coming in through the stained glass.
Make sure to walk around the entire cathedral. The shady side close to the river is a sweet little park. On the opposite side, stand close to the sides and look up to see the gargoyles overhead. Beware the gargoyles during a rain storm. They deliver the water out and away from the church – onto the sidewalk. Also, take a look in the back. Inside the fence surrounding the church, little storage areas protect stone pieces and parts from the cathedral.
Notre-Dame de Paris is the perfection of French Gothic architecture. Some may declare cathedrals in other cities to be the best example, but … seemingly everything is perfection. From the arches above the doors, the towers, and the ornate flying buttresses. And that is not even considering the spectacular interior.
During the Revolution, Notre-Dame de Paris was used as a warehouse.
Notre-Dame de Paris celebrated 850 years in 2013. It has witnessed 80 kings, two emperors and five republics.
Address: 6 Parvis Notre-Dame, on the Place Jean-Paul II, 75004 Nearest Métro and RER: Saint-Michel – Notre-Dame Official website: http://www.notredamedeparis.fr/en/ Admission fee: No, but, there is a charge to enter the treasury, the crypt and to climb the towers.
From a distance, Sacré-Cœur could compete for the best of the awe-inspiring churches. Its gleaming white stone sitting atop the city like a jewel makes it one of the most recognizable places in Paris.
The complete name is Basilique du Sacré-Cœur de Montmartre (Basilica of the Sacred Heart of Montmartre), but generally the name is shortened to only, “Sacré-Cœur.”
Besides the church itself, one of the strongest draws to visit Sacré-Cœur is the view from the steps overlooking Paris. Beautiful at day or night, morning or evening, blazing hot or rainy. The expansive vistas are adored by many Parisians and visitors.
Sacré-Cœur’s architectural style is Romano-Byzantine. It was consecrated in 1919. And, at nearly 100, this is the youngest of the awe-inspiring churches.
The ceiling above the alter is covered by one of the largest mosaics in the world. Beautiful blue and gold tiles create a lovely canopy drawing you all the way into the basilica to see the powerful mosaic.
Address: 35, rue du Chevalier de la Barre, 75018 Nearest Métro: Anvers or Abbesses, then walk to the funiculaire. If you are looking up to Sacré-Cœur, the funiculaire is to the left at the bottom of the hill. Taking the funiculaire will take one regular Metro ticket. Official website: http://www.sacre-coeur-montmartre.com/english/ Admission fee: No, but there is a charge for visiting the crypt and climbing the dome.
3. Église de Saint-Germain-des-Prés
“Prés” is the French word for grassy areas or fields. So the translation of the name from French is, “Church of St. Germain of the Fields.” Of course, it doesn’t look like it now, but when Paris was beginning as a village, this area was only fields.
In the early Middle Ages, the Merovingian King, Childebert I commanded the creation of an abbey (which includes a church) in these fields. And in 558, St. Germain, the bishop of Paris, consecrated the first church on this site.
As time moved on, a large, wealthy and important royal abbey grew on the fields. So large that it encompassed much of the area that is now referred to as the St. Germain neighborhood. And, so important that royalty was buried here until Dagobert I was buried at Basilique Cathédrale de Saint-Denis in 639.
That original church is long gone, but the existing building it is the oldest of the big churches in Paris with parts dating from the 1000s and before.
The architectural style of Église de Saint-Germain-des-Prés is described on its website as “primitive Gothic.” However, after many years and reconstructions, elements and details of other styles can be found.
Inside, the painted interior from the 1800s may be a little surprising. The walls and columns are covered with interesting designs and beautiful scenes painted in many colors. Up above, the ceiling is dotted with thousands of gold stars on a deep blue background. Around back you can see the flying buttresses. Compared to the ornate flying buttresses on the Gothic churches that would be built in the future, these may seem rather utilitarian.
In 1650, the philosopher, mathematician and scientist René Descartes died. After his body was moved a few times, finally in 1819 his cremated remains were interred in Église de Saint-Germain-des-Prés. But, his head is preserved in the Musée de l’Homme.
Pretty much everything that Louis XIV commissioned is over-the-top. And, his chapel at Versailles is no exception. From the multi-colored marble floor to the exuberant ceiling paintings, everything is magnificent.
It is the fifth royal chapel at Versailles. And, this last one, is one of the awe-inspiring churches in Paris (or, very close to Paris).
According to its official website, “Every day the Court attended the King’s mass, which were usually held in the morning at 10. The sovereign sat in the royal tribune surrounded by his family. The ladies of the Court occupied the lateral tribunes, while the Officers and members of the public were seated in the nave.”
The Chapelle Royale (or Royal Chapel) is considered a masterpiece of the architect, Jules Hardouin-Mansart. He designed it in the French Baroque architectural style and it was completed in 1710, two years after his death.
Intertwined script Ls adorn the chapel. These represent Saint Louis and Louis XIV. Louis XIV commanded the chapel to be built. The chapel is dedicated to Saint Louis.
One of the best things about this awe-inspiring church is that you can enjoy it with practically no one else in sight. Even though it is right in the middle of the busy 4th Arrondissement, it does not seem to be visited by many tourists. Take advantage of the solitude to really enjoy its beauty.
Of course, like many other awe-inspiring churches, the grand organ is mesmerizing when played. It is also one of the oldest in Paris. Concerts are not common events, so attending mass may be the best time to experience the organ.
Église Saint-Gervais-et-Saint-Protais is the first church with a French Baroque facade. Most of the interior is Late Gothic with fine examples of Gothic stained glass and some from modern times as well.
Don’t miss the choir stalls and the incredible wood carvings from the time of Francois I and Henri II (1500s and 1600s). Although beautifully carved, some of the reliefs can be quite disturbing.
During the Revolution, it was the Temple of Reason and Youth.
Around the year 250, St. Denis was beheaded on Montmartre (the hill of martyrs). St. Denis did not die there. He picked up his head and walked North and eventually collapsed on the spot where the current cathedral is located. The way to find St. Denis in any line up of saints is to look for the one carrying his head, that is St. Denis.
Since St. Denis’ death, some type of shrine or memorial for the dead has been occupying the site. Because of its long history as a burial ground, many archeological excavations have taken place over the years. Around the church, many sarcophagi have been excavated with some dating from as early as the 300s and 400s.
Inside the cathedral, tombs are arranged throughout the main chapel. A map illustrates who is where. Along with containing the remains of the French royalty, the collection of funerary sculpture from the 12th to the 16th centuries is the largest of its kind. Life-like effigies adorn the tombs. On some, symbolic animal sculptures sit at their feet.
This church is held out as the first truly Gothic cathedral. In 1144, the apse was consecrated with King Louis VII and Queen Eleanor of Aquitaine leading the procession.
Along with Louis XIV, the remains of Louis XVI and Marie-Antoinette are in the crypt.
Louis IX (later Saint Louis) commanded the construction of this chapel to house holy Christian relics, including Christ’s crown of thorns. In 1248, Sainte-Chapelle was consecrated as a Roman Catholic church. Eventually, in 1842, the French government designated it a National Monument.
Sainte-Chapelle is truly one of the most awe-inspiring churches in Paris. The upper chapel is mind blowing. Walls of stained glass soar toward the ceiling. Every inch of surface is painted. It is kind of like being inside a jewel box. This magnificent chapel was reserved for worship exclusively by the king and his family. (The photo at the beginning is of the stained glass in Sainte-Chapelle. Fit for a king, no?)
Staff and others would worship in the lower chapel. It is fascinating to visit and also extremely beautiful. Also, the oldest fresco in France is within the lower chapel.
Looking at the Île de la Cité, there is a spire that seems to stick up out of nowhere. It seems to be kind of near Notre-Dame de Paris, but then if you are walking, it kind of disappears. It reappears while looking into the courtyard of the Palais de Justice – and – looking up. That spire belongs to Sainte-Chapelle. The front of Sainte-Chapelle is hidden behind the walls of the Palais de Justice, fronting the street. If there is no line, you can walk right by and miss it.
Sainte-Chapelle is definitely in the Gothic style. More particularly, it is in the Rayonnant Gothic style. Rayonnant comes from the French word for radiating, as in the famous rose windows.
Sainte-Chapelle was built in ONLY 7 YEARS!!! Incredible.
Le Panthéon is one of the most awe-inspiring churches that is no longer a church, but a temple to many of the worthies of France.
In 1744, Louis XV was suffering an illness so horrible, that he vowed, should he recover, he would direct a church be built to Ste. Geneviève. After he recovered, he kept his word and the church of Ste. Genevieve was built.
However, once the structure was completed in 1791, the French revolutionaries changed the use of the building to a mausoleum for French dignitaries. A pantheon, or temple to all gods. During its history, it served as a Christian temple again. But, when Victor Hugo died in 1885, Le Panthéon was once and for all converted to a temple honoring French men and women who provided France with great service.
The crypt is a fascinating trip through history. Tombs and crypts fill the lower floor. Look for the names of Voltaire, Rousseau, Victor Hugo, Émile Zola, Marie Curie, and Alexandre Dumas.
According to its publications, Le Panthéon is a mix of Classical and Gothic styles. Its design by the architect Soufflot was based on St. Paul’s in London and St. Peter’s in Rome and includes a tremendous dome. That dome is easy to see from many parts of Paris.
In 2018, Simone Veil was the most recent addition to Le Panthéon. Veil was a holocaust survivor and politician who broke barriers for women in French politics.
Climb to the top for beautiful views. Also, Foucault’s pendulum is suspended from the ceiling.
Address: Place du Panthéon, 75005 Nearest Métro: Maubert-Mutualité or Cardinal Lemoine (both are several blocks away) RER: Luxembourg Official website: http://www.paris-pantheon.fr/en Admission fee: Yes No longer a consecrated church
9. Église Saint-Séverin
Detail of Saint-Séverin. Look at the fine stonework and extraordinary gargoyles.
Séverin was a hermit living by the Seine in the 5th and 6th centuries. In 504, he cured King Clovis of a disease for which his doctors had no remedy. Along with that good deed for the royalty, he also performed other healing miracles that brought him enough admiration to dedicate a church to him.
Since the 500s, there has been a St. Severin church on that spot. That’s right, 1,500+ years ago. Parts of the building date back to the end of the 11th century, making it one of the oldest churches in Paris. Most of the current structure is from the 1200s – 1400s. Like other awe-inspiring churches, it has an organ. Much of the works are from the 18th century with even earlier pipes.
If you are in near Place Saint-Michel trying to find some street food, walk down Rue Saint-Séverin to find this church. Take a look at the gargoyles on the exterior, the flying buttresses and go in to see the interior. Some of the stained glass windows are from as long ago as the 14th century! Not as tall, or as big, or as grand as Notre-Dame de Paris, but it is still impressive.
Late Gothic. It is in middle of a busy neighborhood, so maybe it doesn’t get as much attention as it should?
The oldest bell in Paris rings from its tower.
Address: 3, rue des Prêtres Saint-Séverin, 75005 Nearest Métro: Saint-Michel – Notre-Dame Official website: https://saint-severin.com Admission fee: No
10. Église de la Madeleine
Église de la Madeleine ends the straightaway leading from the Place de la Concorde between the massive buildings flanking its north side. It is always startling to merrily trip around the obelisk, look to the side and then see a temple at the end of the street.
Nearly continuously from the 13th century, a Roman Catholic parish has been in charge of the site. And like so many of the sites for other awe-inspiring churches, various buildings have been built and torn down through the centuries. The current structure, however, is definitely unique among them.
Église de la Madeleine has an amazing organ and concerts are held regularly. Check the website when planning your trip for upcoming concert dates.
Down around back are stalls filled with beautiful flowers. And, across the street in the back you can find Fauchon – an incredible purveyor of delicacies. Then across from Église de la Madeleine in other directions, you will find Ralph Lauren, Bulgari, and other posh shops.
It looks like a Roman or Greek temple, and in fact, its architectural style is not surprisingly, Neo-Classical. The symmetrical columns, huge pediment and expansive stairs may make you feel as though you are in an ancient land.
The current building is the result of Napoleon I’s desire for a Temple to the Glory of the Great Army. So, it really was built as a temple. But, as history would have it, Napoleon I was exiled before it could be used as a secular temple. The monarchy was restored (the Restoration), and that is when King Louis XVIII declared the building would be a Roman Catholic church. And, since its consecration in 1842, a Roman Catholic church it remains.
Église Saint-Eustache began as a small chapel in 1213. The first stone of the current awe-inspiring church was laid on August 19, 1532. And, on April 26, 1637, the church was consecrated. (Those Roman Catholic churches keep some meticulous records.)
The open expanse of the former Les Halles markets provides plenty of room to back way up and really see the church. The interior of the church seems vast, maybe because the ceiling is over 100′ high.
Saint-Eustache’s organ has 8,000 pipes. The church regularly holds organ concerts on Sundays at 5:30pm (except for special days). When planning your trip, check the website to confirm concert times.
The current awe-inspiring church is generally in the late Gothic style with Renaissance features.
Here in 1649, Louis XIV received his first communion.
Hector Berlioz’s “Te Deum” premiered here on April 30, 1855.
La Fontaine, the famous fable writer, is interred in Saint-Eustache.
During the Revolution, it was designated the Temple of Agriculture and used as a barn.
Super Cool Extra:
Église Saint-Eustache created a video of the church filmed by a drone – really interesting to watch. See the columns, organ – everything – up close here.
Address: 2 impasse Saint-Eustache, 75001 Nearest Métro: Les Halles RER: Chatelet – Les Halles Official website: http://saint-eustache.org/ Admission fee: No
12. Église Saint-Sulpice
Église Saint-Sulpice is one of the awe-inspiring churches of Paris. One, because it is one of the biggest in Paris. Two, because it looks different from the others. Three, because the South tower remains incomplete due to a stop in construction during the French Revolution – and it never resumed. Four, because the grand organ, well, is pretty grand. And, five, because the square out in front is so relaxing and such a good place to admire the church and listen to the water cascading in the huge fountain in the middle.
Like nearly all of the other awe-inspiring churches, this site has a long history with the Roman Catholic faith. The current church, which was begun in 1646, is built on earlier foundations. It is also home to three murals by Eugène Delacroix. Look for them on the right, in the first side chapel.
Check for organ concerts on the website. Each Sunday the church gives mass at 11:00am and 6:45pm. For 10-15 minutes before the each of those masses, the great organ is played. (There is a choir organ as well.) Also, the great organ is played during mass and for 30 minutes after the 11:00am mass.
Across the square, just off the right corner if you are looking out of the front door of the church, is a great place for a macaroon. Stop in at the famous patisserie, Pierre Hermé, at 72 rue Bonaparte, 75006.
Kind of a combination of Neo-Classical and Baroque with an Italianate facade.
13. Église du Dôme (or Église Royale) at Les Invalides – the Boulanger’s Dozen of the Awe-Inspiring Churches in Paris
Louis XIV commissioned Jules Hardouin Mansart to design and build this royal chapel that qualifies as one of the awe-inspiring churches of Paris. The Église du Dôme was built between 1677 and 1706 and it is a stunner inside and out.
Yet, the monarchy did not survive. During the Revolution, this grand building became the Temple of Mars. Later, while Napoleon I reigned as Emperor, the building was a pantheon to military greats and many military officers are interred here.
Napoleon I was exiled and died on St. Helena. But he would again leave a permanent impression on the Temple of Mars. King Louis-Philippe decided that Napoleon I’s body should be given a place of honor beneath the great dome. After many years of extensive work, the magnificent space was ready to hold its intended imperial remains. When everything was ready, Napoleon I was given a state funeral and placed in his eternal tomb under a golden dome.
Along with Napoleon I, his son, Napoleon II (also known as l’Aiglon), the King of Rome, is interred here – without his heart or intestines. And, Napoleon’s brothers, Joseph Bonaparte and Jérôme Bonaparte can be found as well.
Beyond the royal chapel, you can see the Cathédral of Saint-Louis des Invalides, which is also known as the Veteran’s chapel. Through a glass partition between the two churches, look for flags (or trophies) taken from the vanquished that now hang from the gleaming white stone walls.
The amount of gold on the dome is enough to make this qualify as one of the awe-inspiring churches of Paris. In 1989 it took more than 26 pounds of gold for leafing that glistening dome.
More than 50 years after his death, Alberto Giacometti’s studio in Paris has been reassembled and is open for you to visit. You will find it about a mile from his original studio, in the same Montparnasse neighborhood.
Forethought to Preserve an Artist’s Legacy
When he died in 1966, Giacometti’s studio of 40 years was disassembled by his wife, Annette. She removed all of the artist’s works in progress, furnishings and even the walls to preserve them.Annette had the forethought, and somehow knew, that Giacometti’s studio should be saved for the future.
Eventually, Giacometti’s studio and artwork, notebooks, sketchbooks and all kinds of things Giacometti, was left by Annette in 1993 to the Fondation Alberto et Annette Giacometti.The Foundation runs the Giacometti Institute and that organization, “is the reference place for Giacometti’s work and an art history center including exhibitions, research and pedagogy.”
Reconstruction of Giacometti’s Studio
In furtherance of its mission, Giacometti’s studio was reconstructed.Using old photographs of Giacometti’s studio by Robert Doisneau, Gordon Parks, Sabine Weiss and Ernst Scheidegger the Giacometti Institute rebuilt the studio just as it had been.At only 15′ x 16′, you wouldn’t think it could hold much. But, like his skeletal sculptures, Giacometti’s studio is powerful and full of the artist’s presence.
The website explains that now the Giacometti Institute has on permanent display, “Giacometti’s reconstructed studio including his furniture, personal objects, walls painted by the artist and exclusive works, some of which have never before been exhibited.”
Giacometti’s Studio Housed in Art-Deco
The Giacometti Foundation decided to place the institute in a 1914 Art-Deco building with a famous history of its own.Paul Follot, the renowned Art-Deco artist and interior designer had his showroom in the building.(Super-cool!)
Of course, the 3,700 square foot space needed lots of work to make it a suitable place for the Institute.Pascal Grasso, the architect working on the restoration and renovation, had three objectives, “respect the historic monument and give Giacometti’s work pride of place, while devising a contemporary space endowed with its own identity.”
The foundation’s collection is the largest holding of artwork by Alberto Giacometti.It includes hundreds of sculptures, nearly 100 paintings and thousands of drawings, etchings and engravings.Some of these can be seen on a visit to the institute.
Breaking Many Banks
Alberto Giacometti’s sculptures are some of the most recognizable in the world – and the most expensive. “Chariot,” a breathtaking 1950 bronze by Alberto Giacometti, sold for nearly US$101 Million in 2014. And, in 2015, the spaghetti-string armed, “Pointing Man,” sold for over US$141 Million. That set a world record for a sculpture at auction.
“Chariot” by Alberto Giacometti
Want to see a current major exhibition of Alberto Giacometti’s work in the United States? Visit the Guggenheim in New York through September 12, 2018.
Giacometti’s Studio Address: Inside the Institute Giacometti, 5, Rue Victor Schoelcher, 75014 Paris Nearest Métro: Raspail or Denfert-Rochereau RER: Line B, Stop: Denfert-Rochereau Official website: http://www.fondation-giacometti.fr/en Hours: Open by online reservation system only. Tuesday from 2:00pm – 6:00pm and Wednesday – Sunday 10:00am – 6:00pm. Closed: Monday all day and Tuesday mornings. Admission charge: Yes
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