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Paris 2019 – Free Admission to the Louvre on the First Saturday Night of Every Month

Paris 2019 – Free Admission to the Louvre on the First Saturday Night of Every Month

As of January, 2019, the Musée du Louvre opens its doors for free to all visitors on the first Saturday night of each month!  That’s right – for free – from 6:00pm to 8:45pm.

Louvre to Open First Saturday Night Each Month with Free Admission

Attempting to attract more first-time locals to visit, the Louvre adds the first Saturday of each month to its free admission line up.  As the most visited museum in the world, the Louvre has no problem attracting visitors.  But, it wants more locals to visit as well.

With this exciting news out of Paris, the Louvre adds more time for locals and visitors from all over the world to visit the Louvre without paying the price of admission.  Right now, a full-price admission ticket is 17 euros.  For a family of 4, that price could keep away many families working full time jobs and trying to make ends meet.  So, to try to get more locals in the doors, it has opened on an additional night.  That is good fortune for visitors, too!

Past Efforts

In the past, the Louvre opened on the first Sunday of each month with free admission, trying to draw in the locals.  But, after reviewing data on visitors coming at that increasingly popular free day, the museum lacked an increase in locals.  It appears that more and more international visitors are taking advantage of the 12 free Sundays each year.  Who doesn’t want a free entry?

One goal of the Louvre is to engage locals.  Saturday night seems like an obvious gateway to reach suburban locals wanting a night out.  Louvre officials hope that this additional free time does the job and entices young adults and families from outside Paris proper to take advantage of the world’s most-visited museum.  In addition to being free, the museum is hosting a board game area and a reading corner – all trying to lure young families in the door!

Bonus for You!

Of course, for non-local visitors, it is a boon as well.  Night visits are an extraordinary way to see the massive royal palace and its dumbfounding treasures.  Along with looking out of the windows into the night sky of the city, fewer people visit at night.  You may wind up in a gallery with entire rooms to yourself.  Admire the art with only your family and friends.  Climb the worn marble stairs alone.  Wander through the vast space and imagine the kings and queens that were there before you.

Musée du Louvre

Hours:  Open Wednesday – Sunday from 9am to 6pm
Night opening until 9:45pm on Wednesdays and Fridays
Night opening until 8:45pm on FIRST Saturday of the month beginning January 2019
CLOSED TUESDAYS
CLOSED: on the following holidays: January 1, May 1, May 8 and December 25.
Arrondissement:  1st
Nearest Métro:  Two stops serve the Louvre.  Exiting at Louvre-Rivoli, you will be at the eastern-most end of the Louvre.  Exiting at Palais-Royal–Musée du Louvre, you will be closer to the pyramid entrance and very close to the entrance at the Passage de Richelieu (if they will let you in) and the entrance through the Carousel de Louvre – kind of underground shopping area that leads you to the main entrance under the pyramid.
Nourishment:  Food and drink options available inside the Louvre in various locations – enjoy a baguette sandwich overlooking the entrance while watching the people come down the stairs under the pyramid!
Official websitehttps://www.louvre.fr/en/
Suggested time to visit:  In the evenings on the days it is open late

 

Tricentennial of New Orleans

Tricentennial of New Orleans

The year 2018 has been a year-long celebration of the Tricentennial of New Orleans, obviously a French city from its beginning.  Through its 300 years, it abounds with history from war, malaria, floods, fires, the birth of the cocktail and much of Mardi Gras.
 

The Founding of New Orleans

New Orleans was founded in 1718 by Jean-Baptiste Le Moyne de Bienville (photo) of the French Mississippi Company.  The outpost at a curve in the river was named for the Philippe II, Duke of Orléans.  And, the colony of La Louisiane was named for King Louis XIV when René-Robert Cavelier, Sieur de la Salle claimed all the waters drained by the Mississippi for France in 1682.
 

Celebrate the Tricentennial of New Orleans

Cabildo
 
As a fitting end to the Tricentennial celebrations, a final grand costume ball will be held in New Orleans on Saturday, December 1, 2018, at the Cabildo.  The invitations specify the attire as “period costume reminiscent of Don Almonester’s era (late 18th century), or the era of the Baroness (early 19th century through 1850s).”
 
The Cabildo is a fitting venue for the grand costume ball.  In its antique rooms, the Louisiana Purchase was finalized and the Louisiana Territory became part of the United States of America in 1803.  Out of its windows you can see Jackson Square and the two flanking red brick buildings from the 1840s that were built by the Baroness Pontalba.
 

Baroness Pontalba

Baroness Pontalba
 
If you do not remember much about her, here is a short version of famous Baroness.
 
Micaela Leonarda Antonia de Almonester Rojas y de la Ronde, Baroness de Pontalba was born in 1795 in New Orleans and died in Paris in 1874.  Her father was from Spain, Don Andrés Almonester y Rojas.  Don Almonester created a fortune from his political dealings from the Cabildo.
 
Besides being the richest woman in New Orleans, she probably had one of the most interesting lives of anyone from New Orleans.  She designed and constructed the twin buildings.  The Baroness wore pants and climbed ladders while overseeing every detail of the work.  Even the iron work bears her initials, “AP” for Almonaster Pontalba.  The buildings are so important to the United States, they were declared a National Historic Landmark in 1974.
 
Pontalba Building
 

Deep and Long-Lasting Connections

While in New Orleans, the Baroness was also shot repeatedly by her father-in-law before he killed himself.  For years, he and her husband had been trying unsuccessfully to wrest control of her fortune from her.  She survived the gunshots suffering mangled fingers that blocked the bullets from killing her.  Eventually she moved permanently to Paris to a grand house she commissioned.
 
And, by grand, it is really grand.  Baroness Pontabla’s former mansion, the Hôtel de Pontalba, is now the United States Embassy.  It is right off the Place de la Concorde on the rue du Faubourg Saint-Honoré.  Look for American armed service members patrolling outside.  Needless to say, nothing shabby about the Baroness.
 
Hotel de Pontalba Paris
 
If you want to know more about her, read the fascinating and engrossing story of the real Baroness in the late Dr. Christine Vella’s Pulitzer-Prize nominated book, Intimate Enemies. You can find it here on Amazon:

History Comes Alive

 
Back to the Tricentennial celebration of the French city, New Orleans.  Along with the costume ball, you can join in a lunch celebrating the Tricentennial on Friday, November 30, 2018.  At the lunch, attendees will have a chance to meet Charles-Edouard and Isabelle, Baron and Baroness de Pontalba of Château Mont-l’Évêque.  Charles-Edouard is a direct descendant of Micaela Almonester, Baroness de Pontalba.
 
 
Also at the lunch, Pontalba family historian Pierre de Pontalba will talk about his family’s legacy.  And, Louisiana State Museum guest exhibition curator, Randolph Delehanty, PhD, will give remarks and be available for questions for the new exhibit, The Baroness de Pontalba and the Rise of Jackson Square.
 
 
Want to attend any of these festive events?  Get more information here.  Or, check out the Louisiana Museum Foundation site.
 
 
This is one example of finding Paris everywhere and anywhere!  Paris exerts her influence far and wide.  What part of your local history has connections to Paris?
 
How Did Paris Get So Many Green Spaces?

How Did Paris Get So Many Green Spaces?

Planning the Greenspaces of Nineteenth-Century Paris, written by Richard S. Hopkins, is an LSU Press publication exploring the green spaces in Paris.  For the avid gardener and garden designer/planner, this could be a great book to learn more about Paris’ parks. Many people may think parks and gardens were created just to look at.  But, the government influences more than people’s eyes.

Emperor Napoleon III wanted to make Paris an international capital.  And, what an emperor wants, who can deny?  Along with his great recreation of Paris, he wanted to include green spaces in each of the city’s sections.  So, while Hausmann was tearing down ancient buildings and creating wide boulevards, gardens were being planned and planted all over the city.

Certainly, urban planners in the second half of the 1800s faced similar issues as those of today.  First of all, how do we create green areas and their facilities that will attract visitors?  Also, how do we serve the people living nearby and be good looking?  Like today, building gardens and public gathering areas was a way to build communities and provide identity to the neighborhood.

This detailed book explores the history behind green spaces in Paris.  Green spaces were public works projects.  Many people were employed to construct and maintain the parks.  This maintenance has continued for hundreds of years.  So, it seems the parks succeeded at that goal.  And, other goals were accomplished too.  We, as visitors, are certainly the beneficiaries of this great nineteenth century project!

Praise for Planning the Greenspaces of Nineteenth-Century Paris

Planning the Greenspaces is a fascinating read and a welcome addition to the scholarship on Paris and on urban greenspaces that could work well as a supplemental text in an upper-division course on Paris or France.”—American Historical Review

“This concise and elegant book reflects rigorous archival research rendered in readable prose. . . . Geographers will appreciate the author’s attention throughout to scale as an analytic tool, and his sustained analysis of the social production of urban space through a dialectic of design and use.”—Journal of Historical Geography

“Richard S. Hopkins’s book Planning the Greenspaces of Nineteenth-Century Paris serves as an important reminder that the development of acres of parks and gardens were also central to the project of creating a modern European capital. . . . [An] insightful and enjoyable text.”—Canadian Journal of History

Read more for yourself in Richard S. Hopkins’ book.  He is an assistant professor of history at Widener University.  The only part that I would have liked more is to have had illustrations of some of these green spaces.  Sadly, there are none.

Planning the Greenspaces of Nineteenth-Century Paris, by Richard S. Hopkins.  Order here.

Exhibits at The Met – Gardens and Versailles

Exhibits at The Met – Gardens and Versailles

Are you thinking Paris is too far away for the weekend?  Then head to New York City to explore exhibits on French gardens and Versailles.  That’s right, through the end of July, go see Paris in New York City!  Public Parks, Private Gardens: Paris to Provence and Visitors to Versailles 1682 – 1789.  Both mounted in the halls of The Metropolitan Museum of Art and full of treasures from France.

Exhibition #1 – Public Parks, Private Gardens: Paris to Provence

In Public Parks, Private Gardens: Paris to Provence, The Met, “explores horticultural developments that reshaped the landscape of France and grounded innovative movements—artistic and green—in an era that gave rise to Naturalism, Impressionism, and Art Nouveau.”  All of these artistic movements are well-represented through works presented in this exhibition.

Past urbanites are no different from today’s.  People living in developed cities flock to gardens and parks to be outdoors, enjoy the air, stretch out in the wide open space and delight in the beauty of nature.  To illustrate this love of gardens, the exhibition features a wide range.  Sections include Parks for the Public, Revival of Floral Still Life, Portrait in the Garden and Private Gardens.

Exhibits of Ceramics, Drawings and Paintings to Photography

Choosing works from its extensive holdings, The Met displays drawings, etchings, paintings, glassware, ceramics and even early photographs.  Although the objects show gardens and parks in other parts of France, the majority is focused on Paris and surrounding areas.  Garden lovers will delight in seeing works depicting Fontainebleau, Parc Monceau, Bagatelle, Jardin du Luxembourg, Tuileries, Versailles, along with many other well-known and even less well-known gardens.

Love still life paintings of flowers and garden scenes?  Then this exhibition is for you.  Works by heavy hitters like, Henri de Toulouse-Lautrec, Paul Cézanne, Berthe Morisot, Claude Monet, Édouard Manet, August Renoir, Eugène Atget, Edgar Degas, Vincent van Gogh, Mary Cassatt and many more hang from the walls.

Do 18th century Sèvres porcelain vases with garden scenes painted on them get you going?  What about Art Nouveau glass with elegant flower designs in the glass?  Do you enjoy the details of garden plans and garden furnishings?  Then this is exhibit is also for you!  They are all there in cases and on the walls.  Really, anyone who is at all interested in gardens in Paris and in France would enjoy this exhibition.

Even if you cannot make it to New York to enjoy the show in person, the exhibition features an accompanying catalogue.

Exhibition #2 – Visitors to Versailles

In Visitors to Versailles 1682 – 1789, The Met, “highlights the experiences of travelers from 1682, when Louis XIV moved his court to Versailles, to 1789, when the royal family was forced to leave the palace and return to Paris.”  The objects demonstrating this experience range from souvenirs for the visitors to gifts to the royalty and what the visitors wore and saw.

Sections of the exhibit include, Incognito and Private Visitors, To See the King, Getting Dressed for Court, the Gardens and Going to Versailles.  The dedicated rooms in the museum present men’s suits and hunting clothes, women’s court dresses, riding habits, shoes, ball gowns and fans, sculpture, tapestries, rugs, miniature portraits in diamond surrounds, hats, swords, military outfits, furniture, porcelain and objects of art.  Also, very interestingly, paintings of visitors.

And, it is convenient that the garden exhibit in another section of the museum is on at a similar time.  Gardens at the palace were a major part of court life.  You will see multiple illustrations of gardens.  Royalty wanted to be outside too.  Versailles had unending garden delights for royalty and visitors.

Everything is Over the Top, In a Good Way

Like Versailles itself, nearly everything on display is over the top.  Many things are gilded, handmade items have the most intricate detailing, master craftsmen used precious stones and rare and exotic materials – it is all here.  Just take a look at a set of ivory buttons decorated with scenes of Versailles and the gardens – talk about limited edition.  The description explains that the buttons, “intended for a man’s coat may have appealed to tourists.”  Of course, they would!  Fascinating.  And, beautiful.

Along with many items focused on the multiple kings called by the name, “Louis,” Marie Antoinette figures in the exhibition.  Likewise, multiple objects depict the visitors to Versailles.  For example, a Tunisian ambassador, several Asian dignitaries, and would be Americans, like, Benjamin Franklin!  Paintings of Ben and even some of his clothes are on display.  From 1776 until 1785, Benjamin Franklin was the representative to France of the American colonies that revolted against England.  He was at the French court all the time.

Adding to master works from The Met’s holdings, more than 50 lenders, including the Château de Versailles, offered works to the show.

Don’t miss the statue of a monkey riding a goat!

Like Exhibition #1, even if you cannot make it to New York to enjoy the show in person, the exhibition features an accompanying catalogue.  On the cover is an illustration of the gardens of Versailles and visitors enjoying their time in the landscape.

Praise for the exhibition:  ” A fascinating window into how the court would have appeared to foreigners and day trippers alike…. ” -Artnet

Public Parks, Private Gardens: Paris to Provence

Where:  The Metropolitan Museum of Art (The Met Fifth Avenue)
Address:  1000 Fifth Ave., New York, NY 10028
When:  March 12 – July 29, 2018
Admission:  Entrance fee for museum which includes exhibit
Official websitehttps://metmuseum.org/exhibitions/listings/2018/public-parks-private-gardens

Visitors to Versailles 1682 – 1789

Where:  The Metropolitan Museum of Art (The Met Fifth Avenue)
Address:  1000 Fifth Ave., New York, NY 10028
When:  April 16 – July 29, 2018
Admission:  Entrance fee for museum which includes exhibit
Official websitehttps://www.metmuseum.org/exhibitions/listings/2018/visitors-to-versailles